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Los Angeles-based DJ and producer GunFight has just unveiled his latest release, “Ill Mentality,” a powerful and mesmerizing drum & bass banger. The track arrives during Mental Health Awareness Month, highlighting GunFight’s commitment to using music as a means of expression and support. “Ill Mentality” is a testament to GunFight’s skills in pushing boundaries and captivating listeners with his immersive soundscapes and gritty sound design. 

GunFight has been making waves in the bass music world, garnering support from industry heavyweights like Don Diablo, Cedric Gervais, Jauz, Slushii, Craze, Lost Frequencies, and Zeds Dead. With his versatile production style and unique visual aesthetic, GunFight has cultivated a loyal fanbase and received critical acclaim. As he continues to explore the depths of bass music, GunFight promises even more exhilarating releases throughout 2023. Stay tuned as he makes his mark on the industry with his ever-growing catalog of bass music gems. 

Michigan-based music producer, sound designer, and vocalist AUDIA will be hitting the stage at Movement Music Festival in Detroit this weekend — and she’s bringing her expressive, heavy-hitting flair to the stage.

AUDIA’s evocative performances are accentuated by her own vocals that dominate many of her tracks, along with a combination of field recordings taken from scrap yards, engines, and other industrial settings. Expect her productions and overall performance to be bold and bassy with hypnotic melodies and emphasis on her love for midtempo.

AUDIA’s performance at Movement will mark her first major festival appearance and will be one to watch. Equipped with plenty of unreleased music, remixes, and special edits just for the occasion, AUDIA aims to leave your mind blown!

Don’t miss AUDIA’s performance at Movement 2023 this weekend — report to the Detroit Stage on Monday, May 29th from 6-7pm to see her in action.

What makes the AUDIA sound so unique?

One thing that makes my music unique is my usage of my own vocals in all of my tracks. A person’s voice is an extremely personal and unique instrument and I use mine to its full potential and in many different ways. I often end up processing my own voice and creating interesting sounds from it, which end up in many of the different pieces of my songs. I also like to use field recordings of interactions between metallic objects, heavily processed synths, and like to play keys and sing on my own tracks.

Favorite artists and influences at the moment?

There are so many awesome artists and producers out there that it is so difficult to name just a few!! But, some of the artists that I constantly find myself returning to would have to be Space Laces, Blanke, REZZ, and Tokyo Machine. I have also been listening to a lot of Clarence Clarity, Squarepusher, Amon Tobin, and SebastiAn to name a few.

What can the crowd expect to hear at your Movement 2023 set?

Over the past couple of months I have prepared a lot of remixes, edits and originals for Movement 2023! I wanted to bring a solid set of diverse types of midtempo bass with an AUDIA twist and showcase my original music and bring in some of my own sonic flavor. Movement also inspired me to make some remixes of tracks by some of my favorite artists, such as a special flip of Tokyo Machine’s track PLAY and REZZ’s track, Edge. I also planned a few interesting mash-ups including a track by SOPHIE, but I don’t want to spoil too much!

Is AUDIA an accurate representation of yourself or do you get into character before hitting the stage?

AUDIA is like a limb of my consciousness; I consider AUDIA to be an extension of myself but not entirely separate.

Do you remember your earliest moments as an artist, when you first started making music? What was it like?

I remember installing my first DAW, Linux Multimedia Studio (LMMS), when I was 14. I dabbled in a few different instruments but having access to a DAW felt the most limitless. It is what I ended up sticking with, along with being a keyboard player and vocalist. I recall enjoying the freedom of being able to create whatever was in my mind and essentially build an immersive world out of sound. Creating electronic music ended up being the one thing that I always went back to and ended up following into an education, and eventually, into performance.

What is it like as an artist now?

It definitely is fun, but being an artist is also a balancing act. A lot of what is seen onstage is an extremely small part of what it’s actually like. I am only onstage for a small fraction of the time I prepare for the show, and the show is the most visible part of the process. In order to prepare for that show, there are many days leading up to that made up of spending time elsewhere producing music and building sets for shows like this, among other aspects like managing social media. For me, performing is the most final result of what I am actually doing most of the time.

Any valuable lessons you’ve learned through music and performance?

Performing taught me a lot about trusting myself and my style. I used to have the worst stage fright imaginable. I would be very shaky onstage and practically unable to move, let alone sing. After bettering my own style and workflow as a producer over the past few years, I’ve started to believe in myself and in what I have to say as both a producer and performer.

How much unreleased music are you sitting on?

Quite a bit! I also wrote a lot of new music in preparation for Movement and I am always writing and recording more. I am excited to get back in the DAW and release some of it this summer.

Anything else you want to share?

I am absolutely thrilled to be playing Movement 2023 and I am excited to bring some midtempo bass to the stage!!

Connect with AUDIA

SoundCloud | Spotify | Facebook | Instagram | Twitter | TikTok | YouTube

Photo Credit Anthony Bolduc / ABoldMedia

Isaac Palmer continues to impress us not only with his talent on stage, but also in the studio. Whether he’s remixing The Chainsmokers or dropping sizzling originals, he’s proven that he has the spark to ignite the dance floor.

Now, he’s back with a new single titled “Higher”, teaming up with another talented artist Cuebrick that earned the support of Blasterjaxx’s Maxximize imprint, which is a sub label of the iconic Spinnin’ Records.

“Higher” is an exhilarating blend of slap house and big room, with an infectious melody and thumping four on the floor groove. The track features catchy hooks, pulsating beats, and soaring vocal samples that build up to an explosive drop.

“This song has been finished for a long time! I’ve played it live so many times and it always gives the crowd a lot of energy! I’m so stoked that it’s finally out on Maxximize! Shoutout to Blasterjaxx for signing it! It was awesome working with Cuebrick on this and I hope you all enjoy it!” – Isaac Palmer

Listen below!

Composer, producer, remixer, songwriter, studio owner, and NY Post celebrity music critic Craig J. Snider can now add record label owner to his impressive list of credentials. In collaboration with music tech company Vydia Inc., Snider has launched Goldfingers Music. This exciting new endeavor aims to cultivate emerging talent while also serving as a platform for Snider to release his own distinct and uplifting music, characterized by its feel-good vibes and groove-oriented style.

Snider received his degree in piano and composition from Northwestern University; he then went on to become a nationally known writer, producer and remixer, working with artists from a range of genres, including David Cassidy (“Songs My Father Taught Me”- EP (2019), #1 on the Amazon & Apple Jazz Charts), and Beyonce. His remixes have topped the Billboard’s dance charts, with more than 40 #1 hits that include Lady Gaga and Katy Perry. His latest project, an original production powerhouse collaboration with Grammy winning DJ/Producer Ralphi Rosario, aptly named “The Shamanic,” maintains constant Top-10 status on the UK Pop/ Dance Charts.

Goldfingers Music is, says Snider, “a tremendous opportunity to “showcase the amazing results of collaborations with a bevy of unbelievably talented artists.” The label’s first release, “Pressure,” a feel- good house tune that blends pop and early house influences together seamlessly. “Pressure” features R&B singer- songwriter, slash–artist, model and businessman, Jay Fankhauser, who recently teamed up with the Grammy-nominated R&B production duo Buttaa and Bizkit to produce his bouncy new single “Grind All Night.”

Listen below!

TWO LANES have virtually carved out their own unique lane within electronic music, which is one of many reasons they have over 2 million monthly listeners on Spotify alone. Well-respected with the industry end and fan end of electronic music culture, it makes sense that they’ve accomplished everything from support via BBC1, Sirius XM, and Triple J, have completed many extensive tours, all while being supported by well-respected outlets.

Now, the talented duo is back with a thrilling single “Movement,” marking the final chapter toward a defining full album release. It’s a darker, melodic house single that is captivating right from the start. Featuring an array of glimmering melodies and soft piano chords, they masterfully weave a hypnotic aura into the track, leaving the listener entirely immersed in the song’s ambiance from start to finish.

“Movement’ is part of our live set and we have played it out many times throughout our tour last year. It is always one of our favorite moments when we perform it because some parts offer room for improvisational moments where we can play a synth voice and effects live. These more ”open” and spacial parts then lead into an energetic drop with a gritty sounding arpeggiator. This track is more on the clubby side of things and shows a different sonic spectrum on the album. It is also the last single before our debut album will be out.” – TWO LANES

Listen below!

Martial Simon has proven himself to have a fantastic ear for reimagining classic hits with an uplifting, modern touch. Martial’s catalog is full of crowd-pleasers like “High In July”, “Don’t You Forget About Me” and “Lost”, which have amassed 8 Million streams and received airplay from 200+ radio stations. His single, “Where My Girls At?” was featured on BBC Radio 1 Dance Anthems and landed at #1 on the Beatport Dance Electro Pop chart.

Now, he’s back with a glistening rework of Hanson’s timeless hit “MMMBop” packed with sun kissed melodies and a vibrant beat. It does not take long for the energized female vocal to take center stage, singing the ever so catchy lyrics that will have you singing along instantly.

“Summertime and sunshine mixed with a little MMMBop for the win! I couldn’t wait to remake this classic with a female vocalist, and.just in time for a beach or pool party.” – Martial Simon

Listen below!

It’s been a while since we featured Carbin on Your EDM, but that’s slated to change this year as the producer unveils a new project called CHEMISTREE and also releases the debut single, “CLOCKIN’ OUT” with broke.

According to Carbin, “CHEMISTREE is a free-spirited project that encapsulates the cycle of life, the human experience, and takes listeners to an enlightened state of being while maintaining natural and grounded elements.”

“CLOCKIN’ OUT” puts a funky and experimental spin on your typical bass music that should be familiar to fans of CloZee, Big Gigantic, LSDREAM, or GRiZ. It’s a funky and fun sonic ecosystem that promises a new and improved sound that takes all its listeners on an eccentric audio/visual experience.

GRiZ and LSDREAM recently played CHEMISTREE’s debut track during their B2B set at the Okeechobee Music Festival, receiving great feedback from fans and the industry alike. The new project has been highly anticipated, and fans are thrilled to hear the new direction that CHEMISTREE is taking.

Carbin’s motivation for creating CHEMISTREE was to show the world who he is in a light they have yet to see. “Creating heavy and dark dubstep has always been a passion of mine,” he says. “I will forever love the feeling of epic intensity, but over the years, I have grown to enjoy many other styles of EDM. Having a child has brought such a large sense of joy and understanding in my life, and the CHEMISTREE project is a product of that. I wanted something more, something with more profound weight and depth behind it. I wanted something fun and uplifting. I wanted to show the world me.”

Listen to “CLOCKIN’ OUT” below.

Hamdi’s meteoric rise to prominence has garnered acclaim from renowned music critics and tastemakers worldwide, with support pouring in from electronic music heavyweights such as Zeds Dead, Skrillex, Knife Party, Fred Again.., and Porter Robinson. Last year, we included Hamdi on our annual 40 Artists To Watch list and the attention he’s been getting this year proves others are paying attention, as well.

His latest release, “Counting,” comes via the Zeds Dead label Deadbeats and it’s a prime example of why Hamdi has been garnering so much praise. It’s a brilliant mix of old 140 dubstep and more intense riddim that bridges the gap for old heads like myself and the new wave of bass fans entering the scene the past few years.

In addition to the highly anticipated release of “Counting,” Hamdi has an exciting collaboration with Zeds Dead in the pipeline and will make his debut at the legendary Red Rocks Amphitheatre for Dead Rocks 9 in July, further cementing his presence on the global electronic music stage.

Check out “Counting” below.

Seattle-based DJ and producer Tony H is a multifaceted artist who has made a name for himself as one of the most exciting artists in the house music scene. Whether in his role as label manager as Space Yacht, Label CEO for his very own underground imprint Late Night Munchies, writing sensational music or performing at the top clubs in the country, Tony has solidified his position as a significant figure in the music industry, excelling as both a creator and a curator

He’s had a massive year so far, playing the Unlearn:Records and Deep Tech showcases during Miami Music Week, as well as Weekend 1 at the Heineken House at Coachella. He has also been a direct support for Cloonee, Gene Farris, Blossom, and Mau P at various venues in Seattle. Tony has plenty exciting shows looming, including a headlining performance at The Old Miami in Detroit for the Movement Pre-Party, as well as appearances at Alaska’s Sundown Solstice Festival and Insomniac’s Beyond Wonderland at The Gorge in June.

Now, Tony is continuing his momentum with his latest EP ‘Pulse It‘, signed to Gene Farris’s prestigious imprint, Farris Wheel Recordings. The title track is a groove filled, irresistible heater featuring sounds and samples mimicking hospital noises and pulses. The creativity is backed by an electrifying arrangement with crisp drum rhythms and thumping bass line that excels at making you feel the track’s energy.

The collaborative b-side track “Body Drop” with AMP showcases a fusion of G house and tech house, featuring a lively bass line and captivating vocal samples that make it the perfect peak-time dance floor heater. Yet again, Tony demonstrates his skillful ability to combine diverse sounds and genres, providing both his loyal fans and newcomers with a remarkable and innovative record.

“Pulse It was a track I made on my twitch stream, initially just for fun because people wanted to watch me produce a track in real time. After an 8 hour stream and going through multiple ideas, we landed on an idea with some help from viewers like Mz TzA and Matt G that involved many hospital sounds and samples. As someone who has been streaming on Twitch since the beginning of the pandemic, it’s given me a place to not only connect with the Twitch community and close friends but also allows for so many candid and fun moments and a place for me to create and test out so many IDs. Getting this one signed is HUGE because I’ve been a fan of Gene Farris and Farris Wheel Recording for so long and have been working for a long time to be a part of such a legendary label.” – Tony H

Listen below!

Coming straight out of Chicago is yet another talented, rising house artist who goes by the name SCHEINY. He’s already made an impact in the city, playing numerous dates at the city’s top clubs including Spybar, Sound Bar along with offering support for the likes of Destructo, Henry Fong, Dada Life, and plenty more.

Now, he’s back with a rumbling tech house edit titled “Never Let U Go”, an amazing flip of Justin Bieber’s hit “Boyfriend”, that feels every bit like a club banger. It’s his debut on Hood Politics and rightly so, as this song perfectly encapsulates a captivating exploration blending pop melodies and gripping underground feel.

Arriving on the heels of this single is SCHEINY’s announcement that he is slated to perform at Chicago’s esteemed electronic music festival, North Coast. He’s offering fans a chance to win a pair of tickets to catch him at North Coast. In order to enter the contest, fans can download the single here. 

Listen for yourself below and keep an eye on SCHEINY this year!

When he debuted in 2018, 1788-L was everything. He was on every lineup, had collaborations with Rezz, Illenium, and more, and was hyped to become a leader in the midtempo scene. Then, the pandemic happened. While some soldiered through and found success with live streams and other forms of engagement, others retreated and focused on mental health, production, brand, design, or just themselves.

Whatever the case, 1788-L’s output in COVID era decreased compared to the previous few years, but that all changes soon. With a new logo reveal, as well as the first time he’s publicly shown his face, a new era of 1788-L is upon us.

Will there be new music? Almost certainly. New shows announced? Most likely. The form and style of which is to be determined. But if you’ve been hibernating as a fan, you’re going to want to follow him now as he has something up his sleeve.

SYNTHETIC AUTOMATON 1788-L UNVEILED
📸 : @Veltrida pic.twitter.com/CCuqQe7Ssa

— 1788-L (@l_1788) May 24, 2023

IT BEGINS pic.twitter.com/aLqYtVj93s

— 1788-L (@l_1788) May 17, 2023

Photo via Rukes.com

In the midst of a busy season, Hong Kong’s mega-club Boomerang is gearing up for a number of massive announcements. 

Back in 2021, Boomerang was able to land on DJ Mag’s colossal Top 100 Clubs list in 2021 while being open for just 4 months. Fast forward to 2022, and the club jumped to #72 on the prestigious list while having further cemented itself as a true clubbing gem in the region. 

Now, Boomerang is proud to announce its inclusion on DJ Mag’s Top 100 Clubs list for the third year in a row, climbing up 20 positions to #52. DJ Mag’s Top 100 Clubs ranking includes iconic dance music venues such as Ushuaïa Ibiza, Bootshaus, Exchange LA and DC-10, and this inclusion for yet another year only further proves Boomerang’s prowess as a dance music hotspot in the blossoming region of Asia.

On top of the massive DJ Mag Top 100 Clubs announcement, Boomerang is also excited to reveal its brand new record label, Distinct Records and its launch in June . In the works for some time, this exciting new foray is set to further cement Boomerang’s label arm as a dominant force around the world. Distinct Records will feature everything from pop and house to even hardstyle. The team behind Boomerang’s new imprint are well-known professionals behind European labels, while most of the artists signed under it are currently boasting over 800k monthly listeners on Spotify. 

About Boomerang 

Boomerang opened its doors back in Halloween 2020 before having to temporarily shut down amidst the height of the pandemic. Since re-opening their doors again however, word has spread like wildfire throughout Hong Kong’s nightlife scene, earning them raving reviews and making this club the epicenter of all of Hong Kong’s hype. 

The main driving idea behind the club originated with Deejaykarlie, a local female icon within the Hong Kong music scene, who channeled her experiences traveling the world (the endless social exchanges and visits to international clubs) into the conceptualisation of the club. Building upon Deejaykarlie’s inspiration comes the “Asian Clubbing Dragon” John Rana, the owner of Privé Group, with over 15+ years of experience in Hong Kong’s nightlife scene and drawing on past successes like Bungalow, Levels, Privé and Privé Nepal. John Rana holds the vision to create a ‘landmark’ within the nightlife industry in Hong Kong.

Boomerang has additionally joined forces with Remembaasia – one of Asia’s most renowned artist managements and agencies, making waves within the industry through their inspired partnerships. Resident DJs at Boomerang include an impressive lineup of iLtik, Yaman and Krayon, all pioneering artists within their own rights, having performed at the likes of Creamfields, Looptopia and WorldClubDome while each crafting their own unique style of performance and production. 

Boasting peak exclusiveness, Boomerang remains packed every weekend, with long queues and endless demand, as they set the stage for even bigger and better things to come. Be prepared for exclusive creative events, festivals like never before experienced and pre-parties with acts sourced from around the globe, ranging from household names to underground trend-setters. 

With exciting plans on the horizon and each week bringing something new, Boomerang is poised to become the next key spot for tourists to visit in Hong Kong, as well as for locals to enjoy. The group behind the mega-club is expanding rapidly towards the nightlife scene. Their affiliate nightclub Privé in Nepal having just been opened back in early August 2022, with bigger plans and tours coming up.

Follow Boomerang: Facebook – Instagram – Website

Matt Barri continues to impress us not only with his steady releases of music, but also the pristine quality of each track. He has a knack for crafting melodies to hit your heartstrings, and his latest single, “You Are Here,” is no exception.

“You Are Here” feels every bit like an anthem, exuding a luxurious and uplifting atmosphere. Filled with bouncing synths, captivating melodies, and impactful drops, the song creates an ideal setting for Matt’s glimmering vocals.

“‘You Are Here’ is the place you were when you fell in love with dance music. I wanted to channel my inner dreamer with this tune, feeling nostalgic and dreamy, but hopeful. It’s about growing and evolving and still having acknowledged where you started on your journey.” – Matt Barri

Listen below!

We’re always excited to get in on the ground floor of a new artist. Enter Planet Zuzy hailing from Poland with her debut single “Higher.”

“Higher” draws its authority straight from the dance floor, with a nuanced approach to classic club sound. Effortlessly combining trance-y romps with a mainstage pop-like edge, “Higher” is
designed for dancing. The single was born during her time living in Spain, and now serves as the foundation of her new world.

“My debut single ‘Higher’ is inspired by one of my most cherished memories of dance music,” said Planet Zuzy. “As an 11-year-old, I received a Numark Mixtrack controller from my parents,
and despite being unfamiliar with its purpose, I spent countless hours learning, exploring, and immersing myself in the world of dance music. It was during one of these sessions that I
stumbled upon Avicii’s ‘Levels’ shortly after its release. Attempting to describe the emotions I experienced while listening to this song for the first time would do them little justice, but ‘Higher’
comes very close. The elation, freedom, and rapture that I felt in that moment continue to fuel my passion for creating dance music.”

Listen below!

It took Kill The Noise six years from his first album to drop his second, last year’s EMBRACE. But he’s quick on his own heels to drop his third studio album this year, HOLLOW WORLD. The first single from the album is already out, as well, “Ultraviolent” featuring future metal duo Shadow Cliq.

While EMBRACE featured many of the old Kill The Noise bangers we first fell in love with him for, it was definitely a more diverse albums with many different tempos and energies. For its own part, “Ultraviolent” takes after the banger side — that doesn’t mean all of HOLLOW WORLD will follow this theme, but it’s a hell of a start.

Check out the full track below.

In the midst of Skrillex producing his third and fourth albums this year, following up Quest For Fire and Don’t Get Too Close released in February, he’s also had time to team up with LUDMILLA, Duki, and King Doudou for a track on the official FAST X soundtrack out today.

If you’ve seen any of the Fast films, you know how well this track fits into the universe they’ve established. It has a ton of Latin flair with a noticeably high-octane production that would fit in any race meetup, or even a simple character intro. Within the Fast universe, it’s extremely versatile but even separating it from the franchise, it’s just a super fun track on its own.

Listen below.

Photo by Marilyn Hue

DROELOE has proven himself to be one of the most forward thinking, genre-bending producers around. His creativity seems limitless and it flows through all he does, from the songwriting to the visuals.

Making a triumphant return, DROELOE presents a euphoric and life-affirming anthem titled “Feeble Games,” released through the prestigious AEI Music imprint. With an impressive arrangement, DROELOE delivers a vibrant and joyful energy through innovative sounds. Pay attention, and you might catch the subtle inclusion of a sample from his bike brakes, adding a unique touch to the track.

He’s also announced a tour across the US, hitting SF, LA, Seattle, Portland, Denver, and Chicago. If you’ve ever seen him live, you know these shows are a can’t miss!

Check out “Feeble Games” below!

US Tour Dates

10 Jun – Heatwave Festival, Chicago IL

22 Sept- Wonder Ballroom, Portland OR

23 Sept- Showbox, Seattle, WA

7 Oct- Ogden, Denver CO 

12 Oct- 1015 Folsom, San Francisco CA

14 Oct – Fonda, Los Angeles CA

Zeds Dead’s Altered States imprint is a fascinating label exploring the deeper spectrum of house and techno.

Hailing from Drummondville, a small town near Montreal, Canada, Suray Sertin has been making a significant impact in the electronic scene through his exceptional genre-blending abilities. In February 2022, Sertin made his debut with Altered States by releasing his first single, “U Left Me,” followed by subsequent releases such as “Midnight Delivery” and “People.”

Now, he’s back with yet another mesmerizing single, “Someday“, featuring Sabrina Konstas. Showcasing a soothing blend of warm synths and ambient tones, Sertin masterfully creates a captivating backdrop for Sabrina’s glistening vocals. Suray skillfully incorporates intricate elements like his recognizable glitches and skillful vocal chops as the track unfolds, enhancing the dreamlike ambiance of the composition.

Listen below!